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The elaborate complexity and astonishingly reasonable descriptions of space in Doris Lessing’s The Fifth Kid masterfully illuminates society’s dire inability to handle it’s imperfection. Culture demands immaculate perfection, a global free of defect, and the lust to reside in a flawless utopia drives the identification and elimination of crude invalids. These desolate folks are feared and deemed to be barbarous degenerates who should be positioned beyond the boarders of functioning society to make sure an uncorrupted world. Much less attractive beings are cast into heterotopias or “counter-sites” while society denies their living and feigns perfection. Lessing’s novel tears this image straight down and hastily exposes culture’s despicable tries to marginalize, blame, and exile those thought to be irregular and dysfunctional in the supposedly immaculate globe. In The Fifth Kid the exactly executed heterotopia of the organization draws upon this theory of a parallel space as a capsule for undesired bodies and Harriet, the mom of a repugnant beast, is definitely victim to society’s brutality. Harriet can be an outcast and her remarkably horrific conversation with the cruel organization further alienates her from her family members and miserably casts her into her personal tumultuous heterotopia. Through the entire novel Harriet’s striking distinctions are juxtaposed against the societal tendencies of that time period and she actually is commonly seen as a misplaced oddity. Early descriptions in The Fifth Kid define Harriet as irregular and her image areas her beyond the robust and transitional culture where she lives. Harriet is usually a curious misfit and she “sometimes sensed herself unfortunate and deficient for some reason” (10). This reputation of inexplicable peculiarities shortly establishe...